Headless, 2006

From the series, Asylum of the Birds

Five hands, 2006

From the series, Asylum of the Birds

Puppy between feet, 1999

From the series, Outland

Chef, 2020

Cut Blow, 2015

Roger Ballen (b. 1950) is one of the most influential photographic artists of the 21st century. His strange and extreme works confront the viewer and challenge them to come with him on a journey into their own minds as he explores the deeper recesses of his own.

Roger was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small-town South African. At first, he explored the empty streets in the glare of the midday sun, but once he had made the step of knocking on people’s doors, he discovered a world inside these houses which were to have a profound effect on his work. These interiors with their distinctive collections of objects and the occupants within these closed worlds took his unique vision on a path from social critique to the creation of metaphors for the inner mind. After 1994 he no longer looked to the countryside for his subject matter finding it closer to home in Johannesburg.

Over the past thirty-five years, his distinctive style of photography has evolved using a simple square format in stark and beautiful black and white. In the earlier works, his connection to the tradition of documentary photography is clear but through the 1990s he developed a style he describes as ‘documentary fiction’. After 2000 the people he first discovered and documented, living on the margins of South African society, increasingly became a cast of actors working with Roger in several of his series, collaborating to create powerful psychodramas.

After 2009 the line between fantasy and reality in his subsequent series became increasingly blurred and, in these series, he employed drawings, paintings, collage and sculptural techniques to create elaborate sets. There was an absence of people altogether, replaced by photographs of individuals now used as props, by doll or dummy parts or where people did appear it was as disembodied hands, feet and mouths poking disturbingly through walls and pieces of rag. The often-improvised scenarios were now completed by the unpredictable behaviour of animals whose ambiguous behaviour became crucial to the overall meaning of the photographs. In this phase, Roger invented a new hybrid aesthetic, but one still rooted firmly in black and white photography.

In his artistic practice, Roger has increasingly been won over by the possibilities of integrating photography and drawing. He has expanded his repertoire and extended his visual language. By integrating drawing into his photographic and video works, the artist has not only made a lasting contribution to the field of art but equally has made a powerful commentary about the human condition and its creative potential.

His contribution has not been limited to stills photography and Roger has been the creator of a number of acclaimed and exhibited short films that dovetail with his photographic series. The collaborative film I Fink You Freeky, created for the cult band Die Antwoord in 2012, has garnered over 125-million hits on YouTube. He has taken his work into the realms of sculpture and installation, at Paris’ Musée de la Chasse et de la Nature (2017), Australia’s Sydney College of the Arts (2016) and at the Serlachius Museum in Finland (2015) to name but a few. The spectacular installation at Les Rencontres d’Arles 2017, House of the Ballenesque was voted as one of the best exhibitions for 2017. In 2018 at the Wiesbaden Biennale, Germany, another installation Roger Ballen’s Bazaar/Bizarre was created in an abandoned shopping centre.

Ballen’s series, The Theatre of Apparitions (2016), is inspired by the sight of these hand-drawn carvings on blacked-out windows in an abandoned women’s prison.

Ballen started to experiment using different spray paints on glass and then ‘drawing on’ or removing the paint with a sharp object to let natural light through. The results have been likened prehistoric cave-paintings: the black, dimensionless spaces on the glass are canvases onto which Ballen has carved his thoughts and emotions. He also released a related animated film, Theatre of Apparitions, which has been nominated for various awards.

Halle Saint Pierre in Paris opened an exhibition on  6 September 2019 titled The World According to Roger Ballen. Thames & Hudson published the book in French and English to accompany the show. His work took over the entire space for more than a year closing in January 2021. The World According to Roger Ballen has since been successfully exhibited at Jakopic Gallery in Ljubljana, Slovenia; as well as the Kunstmuseum Den Haag, The Hague.

In October 2020, Hatje Cantz released Roger the Rat which was produced in Johannesburg between 2015 and 2020. Here Ballen creates and documents a part-human, part-rat creature who lives an isolated life outside of mainstream society. This book presents the cycle of photographs in the form of an impressive show that keeps the reader reflecting long after the last page. Ballen also produced a film that accompanies the book launch during October 2020.

Roger Ballen has published over 25 books internationally. His works are in more than 50 of the most important international museum collections.

In the fall of 2022, Thames and Hudson released the second volume of Ballenesque Roger Ballen: A Retrospective in paperback.

Roger Ballen will be one of the artists representing South Africa at the Venice Biennale Arte 2022 in Italy.

Roger the Rat
16.12.20 – 13.04.21
In Touch, an online exhibition
The Theatre of Apparitions
25.03.17 – 06.05.17
PHOTOINK, New Delhi
PHOTOINK at India Art Fair, 2017
02.02.17 – 05.02.17
NSIC GROUNDS, Okhla
Nothing is More Real Than Nothing
05.11.16 – 20.12.16
Sunaparanta - Goa Centre for the Arts
These are few of our favourite works
06.10.16 – 10.12.16
PHOTOINK, New Delhi
Roger Ballen: Works 1995 - 2015
29.10.15 – 01.02.16
PHOTOINK, New Delhi
The Theatre of Apparitions

Black Hole, 2013

Pigment print

23.6 × 17.7 in (60 × 45 cm)
Ed of 6

Assembly, 2011

Pigment print

23.6 × 16.9 in (60 × 43 cm)
Ed of 6

Stare, 2008

Pigment print

31.4 × 31.4 in (80 × 80 cm)
Ed of 6

Outreach, 2012

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 6

Incident, 2011

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 6

French Kiss, 2010

Pigment print

24 × 24 in (61 × 61 cm)
Ed of 6

Reject, 2011

Pigment print

24 × 24 in (61 × 61 cm)
Ed of 6

Tantalize, 2011

Pigment print

24 × 17.7 in (61 × 45 cm)
Ed of 6

Counterpart, 2009

Pigment print

23.6 × 16.9 in (60 × 43 cm)
Ed of 6

Ghostriding, 2011

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 6

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Roger Ballen: Works 1995 - 2015

Puppy between feet, 1999

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Brian with pig, 1998

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Eugene on the phone, 2000

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Show off, 2000

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Security guard and girlfriend, 1997

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Hand drawn hearts, 2000

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Cat in fishtank, 2000

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 10

Head below wires, 1999

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Dejected, 1999

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

Man drawing chalk faces, 2000

From the series, Outland

Silver gelatin print

15.7 × 15.7 in (40 × 40 cm)
Ed of 35

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New Colour Works

Discussion, 2018

Pigment print

35.8 × 35.8 in (91 × 91 cm)
Ed of 5

Disturbance, 2018

Pigment print

35.8 × 35.8 in (91 × 91 cm)
Ed of 5

Flaunt, 2018

Pigment print

35.8 × 35.8 in (91 × 91 cm)
Ed of 5

Huntress, 2018

Pigment print

35.8 × 35.8 in (91 × 91 cm)
Ed of 5

Untitled, 2018

Pigment print

35.8 × 35.8 in (91 × 91 cm)
Ed of 5

Roger the Rat

Smoked Out, 2020

Pigment print

31.4 × 31.4 in (80 × 80 cm)
Ed of 9

Serenade, 2016

Pigment prints

24 × 16.9 in (61 × 43 cm)
Ed of 9

When the Music Stops, 2019

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 9

Flattened, 2020

Pigment print

33.8 × 24 in (86 × 61 cm)
Ed of 9

Stripped, 2018

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 9

Bound, 2018

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 9

Protector, 2015

Pigment print

33.8 × 24 in (86 × 61 cm)
Ed of 9

Chef, 2020

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 9

Packed, 2015

Pigment print

24 × 16.9 in (61 × 43 cm)
Ed of 9

Jackpot, 2016

Pigment print

16.9 × 24 in (43 × 61 cm)
Ed of 9

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